Download BordonaroSpur Fonts by EstudioCalderon

Download  Bordonaro Spur Fonts by Estudio Calderon
Download  Bordonaro Spur Fonts by Estudio Calderon Download  Bordonaro Spur Fonts by Estudio Calderon Download  Bordonaro Spur Fonts by Estudio Calderon



Bordonaro Spur - Bordonaro Scripts partner - is a typography strongly influenced by old beer labels and includes some serifs based on Frederic W.

Goudys Copperplate, but with some softened spurs adding an elegant and soft texture to the text.

It is ideal to be used on large bodies and has a set of special ligatures ideal to be used in branding: Co = company1 Co = company2 Estd = established More Inc = incorporated Ltd = limited Mc = mac Rd = Road St = street And also from Adobe CC you can activate Style Sets (SS) and get ideal ligatures for ordinal numbers: 1st = st 2nd = nd 3rd = rd 4th = th Bordonaro Script and Bordonaro Spur are two typographic styles that were designed under the same characteristic features with the idea of combining them to obtain better results, for that reason, we recommend merging them in a creative way and you will realize everything you can design with them.

The banners designs are based on old brands of beer labels, coffee packaging, sports logos and in some cases we use Copperplate Gothic but only as a complementary font in order to harmonize the layout of the elements in each banner.



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Download Antipol Fonts by phospho

Download  Antipol Fonts by phospho
Download  Antipol Fonts by phospho Download  Antipol Fonts by phospho Download  Antipol Fonts by phospho



Type Specimen: http://bit.ly/2mxRCcA Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif.

With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners.

This particular weight is meant for display settings, think full-page magazine titles or posters.

More Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.



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Download Ordax Fonts by TheNorthernBlockLtd

Download  Ordax Fonts by The Northern Block Ltd
Download  Ordax Fonts by The Northern Block Ltd Download  Ordax Fonts by The Northern Block Ltd Download  Ordax Fonts by The Northern Block Ltd



Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content.

It is particularly suitable for projects that demand simplicity and space economy.

Details include four weights with matching italics, 447 characters and the Opentype features.



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Download SummerFling Fonts by Comicraft

Download  Summer Fling Fonts by Comicraft
Download  Summer Fling Fonts by Comicraft Download  Summer Fling Fonts by Comicraft Download  Summer Fling Fonts by Comicraft



Spring has Sprung! The Fling has Flung and all that will be left after the inevitable Split is a fluttering in your heart, a blushful remembrance of lost love, an aching heart full of excitement and a strange sense of regret.

As you read and re-read Shakespeares sonnets to make sense of the swirling waters of your affectations, consider this font as the perfect headline for the Summer Blockbuster Romance youre sure to pen in the warm, wine-soaked evenings ahead of you.



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Download Bonny Fonts by IndianTypeFoundry

Download  Bonny Fonts by Indian Type Foundry
Download  Bonny Fonts by Indian Type Foundry Download  Bonny Fonts by Indian Type Foundry Download  Bonny Fonts by Indian Type Foundry



Bonny is a family of decorative serif fonts, designed for display typography. The letterforms are very condensed. They also contain a lot of stroke-contrast. Bonnys thin strokes often terminate in flourishes; these flourishes pair well with the typefaces serifs, which are both thin and short.

Bonnys uppercase letters are very top-heavy; the upper halves of B, E, F, H, K, M, R, S, and X are so large that they look almost like caricatures.

This feature is carried over the some of the lowercase letters, too. For example, Bonnys a, c, f, g, k, r, s, t, y, and z are all extravagant and lovely.

The v and w have calligraphic flourishes on their right-hand sides; similar expressions appear throughout rest of the the typeface, too.

Each font includes 13 f-ligatures. An alternate j may be automatically substituted into text, via the Contextual Alternates feature, preventing collisions with glyphs coming before it.

The fonts numerals are oldstyle figures, which match the rhythm of the lowercase letters.

From the Polish type designer Barbara Bigosinska, Bonny is an excellent choice for use on greeting cards and in packaging design.

Its fonts should be set in large point sizes, so that its details have enough space to really shine.



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