Charlotte Weeks

Quiche Sans is a high-contrast, sans serif typeface with monoline stroke endings, angled stems, and geometric proportions. A sibling to the Quiche family, with the ball terminal endings removed. With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression and tapers out the stroke endings for a sophisticated monoline appearance.

Quiche Sans has many OpenType features, including:
• Multiple stylistic alternates
• Swash capitals
• Ligatures
• Fractions, subscripts, and superscripts

This font has extensive Latin language support for Western, Central, and South Eastern European.

Body graphic project at Behance
Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.

Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.

Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques.

For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights.

All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

Calton is a utilitarian workhorse sans serif family. It’s designed to work in as many environments as possible, from small text to big headlines. The roman and italic styles work well for any typographical situation while the stencil really packs a punch and shines as a display family.

The design has a hint of familiarity from classical humanist sans serifs, but the proportions are much more economical and the detailing is distinctly modern. All styles come in eight weights, from Thin to Black and the family is well suited for film and TV, advertising, editorial design, packaging, branding, logo, sports, web and screen design.

The family is available in multiple bundle options so check out the different choices. The family package is available with a bargain price.

Adagietto is a musical term and means: ‘fairly slow’. I wasn’t in a rush to create this font, so the name kind of suits!
Adagietto is a classic font, ideally suited for posters, book covers and product packaging - and just about everything that needs a classy look.

Enticing Script is a clean, modern and versatile script face that was
designed specifically for packaging design but will fit in just about
anywhere.

It comes complete with many alternates for the upper and lower case and
plenty of opentype features to explore. Stylistic Set 01 gives you a
slightly more sophisticated look with a loopy lowercase l, an alternate
lowercase r and more. Turn on the swash feature and you get fun little
swashes on the lowercase that were expertly programmed not to trigger
all at once but instead to appear at just the right moment and work in
harmony with surrounding characters. Contextual alternates will create
starts and endings where necessary. Ligatures are also included.

Language support is broad and extends to the Central European market.
There are exactly 770 characters in this typeface.